{"id":2172,"date":"2015-06-07T00:00:00","date_gmt":"2015-06-07T00:00:00","guid":{"rendered":"https:\/\/iatse.net\/2015\/06\/07\/exposing-the-employment-ploy-at-concert-promoter-live-nation-los-angeles-times\/"},"modified":"2021-06-21T16:19:56","modified_gmt":"2021-06-21T20:19:56","slug":"exposing-the-employment-ploy-at-concert-promoter-live-nation-los-angeles-times","status":"publish","type":"post","link":"https:\/\/iatse.net\/fr\/exposing-the-employment-ploy-at-concert-promoter-live-nation-los-angeles-times\/","title":{"rendered":"\"Exposer le stratag\u00e8me d'emploi du promoteur de concerts Live Nation\" - Los Angeles Times"},"content":{"rendered":"<p>Crew One, l'\u00e9quipe qui monte les spectacles d'Atlanta, paie des salaires de mis\u00e8re aux travailleurs des coulisses, tout en encaissant un paquet d'argent des promoteurs de concerts Live Nation et AEG. Live Nation et AEG sont les deux plus grands promoteurs de concerts aux \u00c9tats-Unis, qui organisent des spectacles \u00e0 gros budget dans tout le pays. D'apr\u00e8s le LA Times :<\/p>\n<p>Les machinistes de Crew One ne sont pas soumis aux contrats que Live Nation a sign\u00e9s avec l'International Alliance of Theatrical Stage Employees, ou IATSE, pour les spectacles dont Live Nation est l'employeur direct. Le bar\u00e8me syndical pour les machinistes \u00e0 Atlanta va de $18 \u00e0 $26 de l'heure ; les employeurs sont \u00e9galement tenus de contribuer aux fonds de retraite et d'assurance maladie de l'IATSE. (\u00c0 Los Angeles, les taux syndicaux sont plus \u00e9lev\u00e9s : Au Staples Center, par exemple, les employ\u00e9s gagnent un minimum d'environ $32 de l'heure).<\/p>\n<p>Lorsque Live Nation travaille par l'interm\u00e9diaire de Crew One, cependant, les travailleurs techniques sont pay\u00e9s aussi peu que $9 de l'heure - un poil au-dessus du salaire minimum de G\u00e9orgie de $7,25 - selon le t\u00e9moignage livr\u00e9 par le directeur g\u00e9n\u00e9ral de Crew One, Jeff Jackson, lors d'une audience du National Labor Relations Board en avril 2014. Il ne verse aucune prestation de sant\u00e9 ou de retraite. Les \"entrepreneurs ind\u00e9pendants\" de Crew One doivent fournir leurs propres casques de protection, cordes de gr\u00e9ement et bottes de travail \u00e0 embout d'acier, qui sont n\u00e9cessaires sur le lieu de travail. Crew One ne dispense aucune formation en mati\u00e8re de s\u00e9curit\u00e9, a reconnu Mme Jackson, bien que le site Web de l'entreprise d\u00e9clare : \"Nous faisons de la s\u00e9curit\u00e9 une priorit\u00e9 absolue.\"<\/p>\n<p>L'article mentionne \u00e9galement le vote du personnel de Crew One en faveur de la syndicalisation par l'interm\u00e9diaire de l'IATSE en juin 2014 :<\/p>\n<p>Le co\u00fbt pour les travailleurs mal class\u00e9s peut \u00eatre \u00e9norme. Les salaires et les conditions de travail chez Crew One ont atteint un point tel que les travailleurs ont vot\u00e9 par pr\u00e8s de 2 contre 1 en juin dernier pour se syndiquer par le biais de l'IATSE - une v\u00e9ritable r\u00e9ussite pour des travailleurs ayant peu de s\u00e9curit\u00e9 d'emploi dans une r\u00e9gion traditionnellement hostile \u00e0 la syndicalisation. Depuis lors, Crew One a toutefois refus\u00e9 de n\u00e9gocier avec le syndicat, arguant qu'il ne peut \u00eatre l\u00e9galement contraint de n\u00e9gocier avec des \"entrepreneurs ind\u00e9pendants\". Le NLRB a rejet\u00e9 cet argument en janvier, mais l'entreprise a d\u00e9pos\u00e9 le mois dernier un recours devant un tribunal f\u00e9d\u00e9ral.<\/p>","protected":false},"excerpt":{"rendered":"<p>Crew One, l'\u00e9quipe qui monte les spectacles d'Atlanta, paie des salaires de mis\u00e8re aux travailleurs de l'arri\u00e8re-sc\u00e8ne, tout en encaissant un paquet d'argent des promoteurs de concerts Live Nation et AEG. Live [...]<\/p>","protected":false},"author":1,"featured_media":1494,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[22],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;Exposing the employment ploy at concert promoter Live Nation&quot; - Los Angeles Times - IATSE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/iatse.net\/fr\/exposing-the-employment-ploy-at-concert-promoter-live-nation-los-angeles-times\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Exposing the employment ploy at concert promoter Live Nation&quot; - Los Angeles Times - IATSE\" \/>\n<meta property=\"og:description\" content=\"Crew One, the outfit mounting Atlanta stage performances, is paying backstage workers near poverty wages while reeling in a bundle of cash from concert promoters Live Nation and AEG. 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